Det som flyter genom världar
That which flows through worlds
Textile, video and archive material
2024
From the exhibition text at Köttinspektionen, written by Alba Folgado:
“A laundry has been evacuated after radioactive object from a Hospital was founded”So read the headlines of the news the day after an unidentified and suspicious object was found among sheets in one of Alingsås’ laundries. The apparently radioactive label that was attached to the object confused the emergency services and caused an unprecedented series of events.Åsa Dybwad Norman takes these surprising news as departure point for her exhibition at Köttinspektionen. She brings together textiles, embroideries and video-works to tell the story of a laundry. A story that mixes real and speculative tales in order to reflect about feminized work, labour struggles and the omnipresence of water in the production and use of textiles.

Curator
  • Photos
  • Alba Folgado & Helena Laukkanen
  • Evelina Hedin






Himlakroppar
Celestial Bodies
Textile
2023
A four by two-meter curtain in wool with appliqués in mixed textile materials that was shown in Norberg, Fagersta and Skinnskatteberg during the summer/autumn of 2023. The work highlights female coded bodies and experiences, which exist and have existed in Norberg and the surrounding area. The project is part of ASK, Arbetsfält för samtida konst, which is run by Konstfrämjandet Västmanland, Region Västmanland and several municipalities in the region.  All photos are from Tingshusparken in Norberg, where the curtain was first displayed.  

Curator
  • Assistant
  • Photos
  • Hilda Ekeroth
  • Helene Karlsson
  • Jenny Berntsson







Mjuka bevis och opålitliga vittnen
Soft evidence and unreliable wittnesses
Embroidery & 
textile patchworks
2022
From the exhibition text at Galleri 54 in Gothenburg:
“Åsa Dybwad Norman (b.1984) is a textile artist with an interest in social history and how it is written. Previously, she has, among other things, embroidered the coat from “Bockstensmannen” in tissue paper and immersed herself in the work of the medieval mystic Mechthild of Magdeburg through video works, embroidery, and spatial installations. Throughout, she follows the movement of textile materials through time, in search of subversive forces.
At Galleri 54, Åsa Norman exhibits garments and embroideries that relate to the textile as evidence and witness. Microscopic images of fibers from textiles at crime scenes have been enlarged and processed, embroidered. Can textile tell about a crime from a different perspective than the usual one?”

  • Assistant
  • Photos
  • Matilda Kenttä
  • Denis Romanovski







Vi är kvar, vi ger inte upp
We are still here, we do not give up
Textile
2022
The work is a result from a residency at Arbetarrörelsens Arkiv och Bibliotek (Labor Movement Archive and Library) in Flemingsberg outside Stockholm. It was later shown in the exhibition Konst åt alla (Art for All), which opened on December 7, 2022. The image comes from the seamstresses' occupation of the Eiser factory in Sollefteå in 1981. The work is a digitally printed photograph on viscose fabric where we have then brushed the fabric with wood glue and water to try to capture a movement, or perhaps to pause a movement. We found the image in the archive of Beklädnasarbetarförbundet (the Garment Workers' Union) at the Labor Movement Archive and Library in Flemingsberg. 

  • Collaboration
  • Photos
Thanks
  • Frida Hållander
  • Frida Hållander
Sebastian Dahlqvist, 
Konstfrämjandet Stockholm 
& Arbetarrörelsens Arkiv och Bibliotek






Vi strömmar ut ur fabriken
We flow out of the factory
Video, 24 min (stills)
2022
The film is part of a multi-year artistic project project Fabriksflickorna - De viljefulla textilarbetarna, which aims to highlight and discuss the conditions, skills and resistance of women in the textile and home industries. The film is based on the play Fabriksflickorna - makten och härligheten by Suzanne Osten and Margareta Garpe (1980), which depicts a complex historical historical process in the Swedish textile and clothing industry in the 1960s and 80s, during which several industries underwent a restructuring process. The project examines how the textile industry has operated through bodies and how these bodies' experiences have built it. The film is a remake of a reworked version of the play and the voices heard belong to people connected to the contemporary Swedish textile industry and art scene today: former seamstresses, teachers, union workers and designers.

  • Collaboration
  • Photos
Graphic form
Thanks

Support from


Participants
  • Frida Hållander
  • Marius Dybwad Brandrud
Matilda Kenttä
Margareta Garpe, Suzanne Osten 
& Tjia Torpe.
Konstnärsnämnden, IASPIS, 
Konstfrämjandet & Arbetarrörelsens 
arkiv och bibliotek. 
Emil Boss, Sigbritt Carlsson, 
Åsa Dybwad Norman, Lisa Gotte, 
Marcia Harvey Isaksson, 
Frida Hållander, 
Inger Hållander, Peter Johnson,
Janne Kontio & Sofia M.Westin.